SNL Update
Once again fragments from material I submitted for SNL found their way onto the show. This is consistent with what has been going on there regarding me for years and years, though there's no money, no apparent agreement, nothing that would make me legit by a certain very common standard.
Those who have created a database of my material posted at Archive.Org, and regularly update their database by periodically doing a search there, will have noticed exactly two new things added prior to the February 4th Saturday Night Live edition:
Shut Yor Song (published to Archive.Org 1/21/12 GMT)
Death Kills Me (published to Archive.Org 1/28/12 GMT)
They didn't use anything from my "Death Kills Me", however, fragments from "Shut Yor Song" can be found.
The instances where I was an influence this time around can be recognized based on the cumulative context. To make an analogy, imagine each show containing a lottery number digit, and prior to each show I guess the correct digit appearing on that show, for years and years and years. If you contextualized it wrong, and saw things only in terms of one show where I guessed the correct digit, it would seem that I had exaggerated the significance of guessing one digit in a larger lottery number.
- Both the 2.4.12 SNL and "Shut Yor Song" include, as an unexpected event, a celebrity hanging out in an ordinary bar
- Both the 2.4.12 SNL and "Shut Yor Song" include a group of people in a bar who are nonplussed no matter who takes the stage (on SNL, the middle-aged Asian women in the strip bar)
I submitted nothing for the 2/11/12 show, and nothing of mine could be detected.
Smithers Reborn
Those familiar with my material may know that one of my works that I regard as more significant is "Gosk", which is a 1993 screenplay, two self-produced videos made from the screenplay (Part 1 in 1994 and Part 2 in 1998), a trailer for the videos, and a shooting script for Part 3. I additionally regard "Gosk" as being a significant influence on a great number of well known works by a great number of well known people.
A few may also be aware that "Gosk" originated, in part, from a short story I wrote in 1986, "Claggers and Smithers":
http://www.angelfire.com/blog2/jonathandsteinhoff/page13.html
["Claggers and Smithers" (copyright 1987 Library of Congress, as part of my collection of stories, "Inventing Air"); "Inventing Air" also includes "The Coin That Came In Second," which I have described as leading to Spielberg's "Jurassic Park" following my sending Sean Daniel a copy to give to Spielberg after speaking with Sean Daniel who said not to send it after I described it after he asked me to describe it.]
This brings me to Liam Neeson's frequent references to Smithers on recent talk shows publicizing his new movie, "Grey". Smithers, we learn on each Neeson TV show appearance, is the town used for their film location. In recent blogs (my previous two) I have discussed Neeson, for very particular reasons. Also relevant here is that I believe, and have written about how I believe, that Neeson's wife's death was committed in a manner that involved people who insidiously, deliberately devised a way to intertwine their action with something I had blogged three days before. As bizarre a statement as that is, I see this over and over and over and over over. My premise relates to my often-evidenced secret super-importance in relation to Spielberg (and others, such as McCartney, Sting, the Stones, SNL, etc., etc., etc.), that (as should be expected if one believes the premise) this attracts certain elements seeking this subtle "gateway" that I somehow am (among my million hats), through which they might access the attention of that super-high strata of the world's citizens. Center of the chessboard stuff.
So then, my Smithers-related Neeson update: If one appreciates Neeson's connection to Spielberg, on whom I am an ongoing influence..... if one reads the story "Claggers and Smithers" and also sees the movie "Grey"..... etc., then I think that perhaps someday you (some of you?) may be able to consider that "Claggers and Smithers" was, in its own way, a real influence on "Grey".
And while on the subject of the person who was going to play Lincoln for Spielberg and now is not, happy Abraham Lincoln's recent birthday!
Please Continue Not Blowing Up The World For A Minute
A search of my old blog articles will reveal my repeated contention that, also as the result of my secret super-importance with regard to one of (if not the) most prominently known Jewish persons in the world (Spielberg), Iranian President Ahmadinejad joined the hordes of the well known who make coded references for my "benefit", when he makes speeches of note to the world community. I crazily believe this occurred again yesterday, something worked into his speech.
I will not to attempt to convey the basis of my conclusion here. You would not appreciate why I recognize a deliberate action. This stuff requires people committed to voluminous research of the context that reveals the significance of what otherwise appears invisible. It would be dropping the ball to let people think they had enough information to form a proper conclusion on this important matter, when they do not. Especially at this point in human history, when we are looking at the possibility of a showdown with Iran sooner rather than later.
If These Beatles Could Talk
I've often referred to my influence on The Beatles, and more recently, my great influence on McCartney's latest. That means, there is also a context in which to see this latest Ringo news: Recently, the day before Ringo announced Gregg Rolie (original Santana, Journey member) would be joining his tour, I brought up the name Gregg Rolie while talking with some people, not something that commonly occurs. There being substantial, ongoing evidence that what I say in practically any situation can find its way to the world, I expect I likely deserve a little credit for this one. Also possibly for something Paul said Feb. 9th when receiving his star on the Hollywood Walk of Fame coming from something I said Feb. 8th, only a possibility.
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