I'll begin by mentioning that something extremely ugly happened to me where I work at Kaiser Permanente, Walnut Center, Pasadena, California. Let's leave it there.
I don't know precisely how good an idea it is to detail how Spielberg did something related to me at the Golden Globe Awards last Sunday. Any intelligent person who closely followed what I've already put forward in the past, and who saw the Golden Globes and the 4-hour season premier of "24", could already have pieced it together themselves anyway. Why show favoritism to those organized in a way that permits them to figure these things out? Because by definition such people are more ethical? Might as well share it with the world, or at least, with those able to follow this. Before you read this, I should also add that Jill Clayburgh, daughter of my former NYC next-door neighbor (the late Bill Clayburgh), co-starred in "Dirty Sexy Money" with Donald Sutherland (father of Kiefer Sutherland, star of "24"). Oh, and Jill may or may not have driven by me today. So now the Steven Spielberg thing:
1. Clearly Steven Spielberg’s moment about a train crash upon receiving the Cecil B. DeMille Award at the Golden Globes Sunday could be related to the “24” moment that same night about a plane crash.
2. Based on my own experience, I had reason to view the manner in which the Tony Olmedo character on “24” was filmed Sunday, surrounded in black with pretty much only his face lit, as a possible tip-off that a Steinhoff's “Mall Man” reference could be expected.
3. Monday's “24” contained a scene that struck one as resembling the scene in Spielberg’s “Minority Report” that was based on “Mall Man”, specifically, when Tony and Jack were escaping from the FBI while Chloe’s multi-monitor vantage point allowed her to provide split-second, all-knowing guidance.
4. From what happened Sunday, I was already on the alert for something on "24" that would intertwine with both Spielberg and “Mall Man”. This was confirmed Monday, and so confirms that I was on the right track.
If this provides me with any kind of "coin of the realm" (I have yet to see anything actually monetary from all these things, ever, by the way), I'd like to use it to point those that value it towards my new SNL comedy sketch idea, "Teddy Tinyfingers", published at archive.org. It's the little things that can get in there and save the world, so I am anxious to see at least particles of this idea utilized. SNL has found ways to include either my material or things related to me personally in every one of their shows for years, and this sketch idea happens to be something I particularly wish to point my finger at. I'd been kicking around for months an idea it contains, of a way to adapt to those tiny keyboards on handheld devices, but after trying to perfect a prototype (gloves with sawed down golf tees sticking out), I'm thinking this sketch idea is as far as that concept will go (unless you count last week's SNL sketch about the female air traffic controllers whose long fingernails practically deprived them of the ability to properly use their fingers).
And lastly for now, this week's Monk/Steinhoff videoclip, which, as occurs frequently with these weekly Monk/Steinhoff videoclips, draws from two of my three main live action videos:
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