JUSTICE IS BLIND AND SOMETIMES SMASHES INTO WALLS IT DOESN'T SEE

IF THESE SPIELBERG WALLS COULD TALK
I am still working on my Spielberg/Steinhoff/"Mall Man" video project. It is not easy to sink one's teeth into a project that must deliberately exist within a context narrower than the subject matter deserves. On the one hand, Spielberg has made it possible for me to prove (to any honest, intelligent person willing to spend the time and energy to study it), through my being able to make references to copyrighted postings and other elements, that my 1993 "Mall Man" video was important to varying degrees (ranging from tremendously important to pretty important) in relation to Spielberg's "Minority Report," "Terminal," and his most recent movie, "Indiana Jones and the Kingdom of the Crystal Skull". On the other hand, however, I do not see how I can prove that my influence on his most recent movie ("Indiana Jones") goes far beyond being very significant, actually entering the realm of being key to the plot. I refer to the fact that, for this movie, Spielberg did not only use my "Mall Man" video, but in addition, my 1992 "Mall Man" film treatment was involved. It being that I cannot prove the "Mall Man" film treatment was created in 1992, it would seem that this is one "detail" I must omit. Sean Daniel and/or Steven Spielberg: my invitation for you to appear in this Spielberg/Mall Man video project of mine as my interviewees and/or my interviewers still stands!!!

LICENSE TO SKI
Having just had the chance to see for the first time the Liam Neeson movie, "Taken", which premiered yesterday on HBO, I am now more convinced than ever that the real answer to what was behind the death of Neeson's wife, Natasha Richardson, is intertwined with things I put forward in my blogs of 3.13.09 and 3.23.09. In those blogs I had found a basis for believing, for a set of reasons, that a specific tie-in had been constructed by Richardson's killers to something contained in Sean Daniel's and Bruce Willis' movie, "Jackal": the line, "You can't protect your women."

I feel certain now that it was the killers' intention to lead us back to the movie, "Jackal," thusly interconnecting our perception of their action with other things (as described in those blogs). According to what I have been able to surmise/deduce, generating this tie-in satisfied a certain (convoluted) aspect of their criteria, consistent with their "modus operandi". The fact that Neeson is currently starring in Spielberg's work-in-progress, "Lincoln," and is among the few actors to repeatedly star in Spielberg films, satisfied another part of the killers' criteria. Did I mention that I don't regard Natasha Richardson's death as an accident?

Weekly MONK/STEINHOFF VIDEOCLIP, 11.27.09/12.4.09

For this final Monk/Steinhoff weekly videoclip, I'm trying to keep it simple, however, I did find it necessary to create a "Version 1" and a "Version 2". The latter (Version 2) is clearly thinner than the former, and is not for those interested in material that solidly confirms that this 2-part "Monk" episode, as with nearly every other "Monk" episode ever made, makes reference to me and/or my material.

Anyone turning to me for closure with regard to the end of this show, personally I won't even really feel like there are no more episodes until next week or so. Or maybe in a year or two.

VERSION 1:



VERSION 2:



If I had all the time in the world to do justice to all things in the world, I might have created a Version 3, Version 4, etc. I will only add that, as has been true in general this season, the "Medium" episode airing the same night also tied in with things (we have to wonder about those Arquettes). I chose to give the night to "Monk".


WHAT MIGHT HAVE HAPPENED
For those who might generally be interested in roads not taken, perhaps it would be fun for me to list off sections and content I decided not to create for this edition of my blog:

• What Can Happen When You Are Secretly Super-Important In Relation To People Who Individually Have Billions Of Dollars, And Collectively Have Billions And Billions And Billions Of Dollars
  

• Winning Your Case By Convoluting Things To Undermine The Testimony Of The Star Witness Against You Corner
  

• Dominating Someone’s Soul By Promoting The Theory That, If You Can Put Just One Word In Someone’s Mouth Without Their Knowing, Then Everything They Ever Said Or Will Say Is Thereby Tainted And Suspect
  

• Not Publishing Certain Things In Order To Avoid Making Your Readers Afraid Of You