I chose these words to get across the idea that they are willing to go so far as to acknowledge to me that they know the video was released, yet at the same time they do not seem to feel they actually need to see it. I beg to differ: it is from me, I am unbelievably important, they know this, it is an important release. What's this stuff about sweeping it under the rug? I don't get it. "Avatar" and "Alice In Wonderland" are currently showing major contributions from me, to those in on it. To say the least. It doesn't make sense to pass on my latest work.
Later in this blog I will tell a little Hollywood story I just made up, entitled, "The Covering Their Astors Squad". First though, I would like to attend to a little business, which is to say, present how last night's "Saturday Night Live" also "reflected a cognizance of the release of my 'Orders' video".
In my "In Orders We Trust" (the video), which I completed April 6th and posted on/ copyrighted at Archive.Org April 7th (the comedy sketch itself having been written 5.15.06), I used at the beginning of the video the image of the famous sculpture, "Artemision Bronze", which according to Wikipedia is often called, "The God from the Sea," and "represents either Zeus or Poseidon" (my usage was intended to represent Zeus, and so if you were to see Poseidon in my usage of this image you would be.... well, I put the word Zeus under the image as well, so....). In the thumbnails at Archive.Org for my video, which one can view without viewing the actual video, one will also see my usage of this image ("Artemision Bronze").
I will give you a moment to go to Archive.Org and see for yourself (I provided the link in my April 8th blog, please don't expect me to do everything for you).
In my April 8th blog, wherein I announced the release of my video, I also reprinted the original 5.15.06 email from when I first sent the comedy sketch out to certain people. That email contained, among other things, something that my blogs have occasionally touched on - references to a few of the immense number of timely references to my material on "Saturday Night Live". And with that as the background information, last night's (April 10th) show was no exception - for in Tina Fey's Sarah Palin sketch (which, unfortunately, was only partially successful in erasing from my mind the image of Sarah Palin looking at me as we drove by each other in Santa Barbara last month), Fey ended the bit with an image of Republican National Committee Chairman Michael Steele in a photoshopped pose quite identical to the Zeus thumbnail posted with my video at Archive.Org on April 7th:
Those who knew, as I did, the near-inevitability of some kind of SNL inside-reference to my newest release, will appreciate my interpretation of why they chose to show Michael Steele this way. And if you wish, I will even apologize for any responsibility I might have for any difficulty you might have in erasing this image from your mind.
I should also say something about tonight's "Simpsons" before relating my "The Covering Their Astors Squad" story.
First, some are aware that the main opening montage of every "Simpsons" (sometimes they use variations so who can say what one will find on any given night), the latest regular opening montage (past two or so years), contains something that began as an ongoing inside-reference found on many "Simpsons" episodes. The inside-reference has to do with a scene from the CalArts film class student film, "Limbo" (1973-1974), wherein someone cannot remove a gorilla mask, while I stand in the background watching. One of the primary "Simpsons" directors, Mark Kirkland, used to live down the hall from me at CalArts, though we didn't know each other. This has not prevented him from joining the throngs of people in show-biz who make inside-references regarding me. These inside-references in certain "Simpsons" episodes to this "Limbo" moment would appear in conjunction with other Steinhoff-related stuff, producing a cumulative effect that made clear the inside-reference, at least to those "inside". So: nowadays their opening montage shows a statue head falling from a statue and landing over the head of someone beneath the statue, basically trapping the person inside the mask. Much like the previously recurring "Limbo" inside-references.
Tonight's "Simpsons" episode ended with Lisa and Bart forming a truce, until their dog commits some blunder, for which Lisa chooses to blame Bart, though there is no apparent basis for her to hold him responsible for what the dog does. And the truce ends as quickly as it was formed. Those familiar with the ending of "In Orders We Trust" (either the 2006 written version or the April 2010 video) need no further explanation to appreciate my conclusion regarding the origin of the "Simpsons" ending.
I seem to have one more thing to describe before relating my "The Covering Their Astors Squad" story.
For somewhat complicated reasons, which I will not detail here, I found the ending of the April 9th "Smallville" to be in relation to me as well. Nor did I choose to detail in my April 8th blog exactly how something the Iranian President recently said was designed to intertwine with the April 2nd "Smallville" as it related to me.
What I will mention here is that it was something he said in relation to President Obama's nuclear treaty, something that was extracted from the rest of what he said and given the headline, because of it being such a from out of nowhere phrasing. I am the one who sees how it was not from out of nowhere, it was an inside-reference, it was from a wish to interconnect with something in relation to me/my material that has recently become relevant through recent doings.
My December 26th, 2009 video, "Steven Spielberg and the 'Mall Man' Factor" (at Archive.Org) demonstrates how tremendously and singularly important I am in relation to Steven Spielberg. It does not take a genius to appreciate that, the way our world is put together, Spielberg is something of an ambassador for the Jewish people, being among the most prominent living Jewish persons in the world. I have previously mentioned in a blog that the Iranian President has endeavored to "intertwine" with me via a show that often references my material, "Smallville" (I mentioned this in a September 2009 blog). I have also mentioned/demonstrated in earlier blogs that the show "Medium" has intertwined with references to my material on the episodes of "Smallville" that aired the same night as certain "Medium" episodes.
Back when a number of inside-references to my several music videos all suddenly began occurring around the same time on various shows, as I mentioned/demonstrated at those times, I also noticed that "Medium" (in their fever episode, which was concurrent with the two-part "Monk" series finale - another show that made innumerable inside-references to my material) included the line, "Another Good Answer" - the title of one of my music videos. It was that same music video of mine wherein I get specific about the fact that, due to my secret importance, terrorists "leave things on my doorstep". That "Medium" episode had the antagonist exploiting people's fear of a cataclysmic (terrorist?) event for personal gain. I include that among the significant number of times when "Medium", or rather, someone with a pipeline to the writers of "Medium", seems to manifest an investment in undermining me with regard to certain concerns I have. My statement that terrorists leave things on doorstep/their statement that causing concern of this kind is a manipulative exploitation for monetary gain.
"The Covering Their Astors Squad"
(a made-up story about a dead person)
(a made-up story about a dead person)
Once upon a time someone with a lot of money repeatedly used someone's creative material in the movies he made with famous actress Mary Astor. Mary Astor became very upset at the injustice that might be done to the person with a lot of money, who had been so kind to finance the movies she starred in, for she feared that this person might be thought to be a mean person when he was really just a nice person having fun with the person whose material he used. So Mary Astor became so upset, she came down with a cold. It was chilly outside, and she was playing the part of someone who was in a warm climate, so she had to wear short sleeves, which aggravated her cold, and it looked like the picture might have to be scrapped, and everyone would have to say goodbye to all that this picture would have meant for them. So the studio hired a squad of people to always have blankets on hand, and whenever the cameras weren't rolling, these people in this squad would immediately cover Mary Astor with a blanket. The same thing happened when Mary Astor's relatives appeared in the movie, Astors were everywhere, for these were all people who were found worthy of being in this important picture, though it meant wearing short sleeves in chilly weather. So the squad of people with the blankets became known as "The Covering Their Astors Squad". Unfortunately, the benches they sat on became drenched during a terrible thunderstorm, soaking in the water, and when people sat on the benches the water seeped through to their bottoms. Apparently, they could not cover their asses.
It's swell that people are demonstrating to me a "cognizance of the release of my 'Orders' video", as I stated earlier. To fall short of manifesting that they've viewed the video, however, given the stage I've reached in the world of important releases, is, in certain respects, disturbing, and I do not say this as an artist. I say this because it has "my lawyer told me not to" written all over it.
At this moment in the history of humanity, in the history of the Earth, the Iranian President, perhaps the single individual posing the greatest threat to the world at this time, due to what his present actions could very easily lead to not so far down the road, is trying to intertwine with me/my work, because of my tremendous importance in relation to Steven Spielberg. Spielberg being an important "ambassador" for the Jewish people, for the reasons described earlier in this blog. This plays Spielberg and myself, on a certain level, directly into the matter created by the Iranian President, a matter that springs from the animosity the Iranian President has for the Jewish people, which is behind his efforts to unite the Arab world, through this sentiment, behind his "right" to "blow Israel off the map".
It would be complicated to explain how it has been made manifest to me that the Iranian President is doing this in relation to me, though it is nevertheless something I could explain, to an intelligent person. There are facts to support my explanation. What isn't complicated is the fact that I have earned enough credibility by now to be taken seriously on this to a substantial degree even during the withholding at this time of the complicated explanation.
I believe that my little made-up story about Mary Astor may help to explain to all of you boys and girls a few factors that have impeded the response I demand. Those interfering with following-up on what I've asserted regarding myself in this situation are committing acts that, due to their intended effect with relation to the larger situation, are beyond criminal, and beyond forgiveness, due to the enormity of this situation. I find it unfortunate that the situation requires that I be the heavy to this degree, by having to point this out, but this is scarcely a situation that can be ignored. I find it difficult to think of a matter more worthy of serious attention.
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